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Shyamala Navaratna Malika Stotram

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shree shyaamalaa navaratnamaalikaa stotram'

omkaarapanjarashukeem' upanishadudyaanakelikalakant'heem |
aagamavipinamayooreem' aaryaamantarvibhaavaye gaureem || 1 ||

dayamaanadeerghanayanaam' deshikaroopena darshitaabhyudayaam |
vaamakuchanihitaveenaam' varadaam' sangeetamaatri'kaam' vande || 2 ||

shyaamatanusaukumaaryaam' saundaryaanandasampadunmeshaam |
tarunimakarunaapooraam' madajalakallolalochanaam' vande || 3 ||

nakhamukhamukharitaveenaanaadarasaasvaadanavanavollaasam |
mukhamamba modayatu maam' muktaataat'ankamugdhahasitam' te || 4 ||

sarigamapadhanirataam' taam' veenaasankraantakaantahastaam' taam |
shaantaam' mri'dulasvaantaam' kuchabharataantaam' namaami shivakaantaam || 5 ||

avat'utat'aghat'itachooleetaad'itataaleepalaashataat'ankaam |
veenaavaadanavelaakampitashirasam' namaami maatangeem || 6 ||

veenaaravaanushangam' vikachamukhaambhojamaadhureebhri'ngam |
karunaapooratarangam' kalaye maatangakanyakaapaangam || 7 ||

manibhangamechakaangeem' maatangeem' naumi siddhamaatangeem |
yauvanavanasaarangeem' sangeetaambhoruhaanubhavabhri'ngeem || 8 ||

mechakamaasechanakam' mithyaadri'sht'aantamadhyabhaagam' te |
maatastava svaroopam' mangal'asangeetasaurabham' manye || 9 ||

navaratnamaalyametadrachitam' maatangakanyakaabharanam |
yah' pat'hati bhaktiyuktah' sah' bhavedvaageeshvarah' saakshaat || 10 ||

iti kaal'idaasa kri'ta shree shyaamalaa navaratnamaalikaa stotram |

Meaning

    1.    I meditate upon Goddess Gauri, who is the parrot in the cage of Omkara, the cuckoo in the garden of Upanishads, and the peacock dancing in the forest of sacred scriptures.
    2.    I bow to the compassionate Mother with long eyes of mercy, appearing as the divine teacher, holding a Veena near Her bosom, the source of all music and wisdom.
    3.    I salute the dark-hued, tender Goddess, whose beauty blossoms with youthful grace, whose eyes flow with waves of compassion and divine charm.
    4.    May Her gentle smile, adorned with pearl earrings, and the music flowing from Her Veena fill my mind with joy and liberation.
    5.    I adore Her who delights in musical notes — Sa, Ri, Ga, Ma, Pa, Dha — holding the Veena gracefully, calm, gentle, and radiant as Shiva’s beloved.
    6.    I bow to Matangi, whose earrings resemble tender leaves, whose head sways in rhythm as She plays the Veena with divine grace.
    7.    I meditate on the daughter of Matanga, whose face blooms like a lotus, whose glance ripples with mercy, and whose presence is soaked in the sweetness of Veena’s melody.
    8.    I worship the radiant Matangi, shining like gems, youthful and graceful, the bee who revels in the nectar of divine music.
    9.    O Mother, Your form, fragrant like sandalwood and filled with auspicious melody, transcends illusion and radiates the perfume of sacred music.
    10.    Whoever recites this garland of nine gems with devotion becomes eloquent, wise, and blessed by the Goddess of Speech Herself.

Summary:
This stotram, composed by Kalidasa, glorifies Goddess Shyamala (Matangi), the embodiment of music, speech, and divine knowledge. She is depicted as the gentle Veena-holding form of Tripura Sundari, dwelling in melody and compassion. Reciting this hymn evokes eloquence, wisdom, artistic excellence, and inner tranquility. The “Navaratnamalika” — the garland of nine gems — signifies nine jewels of devotion, each shining with music, knowledge, and divine grace.
 

Frequently Asked Questions

What is Shyamala Navaratna Malika Stotram?
It is a powerful nine-verse hymn dedicated to Goddess Shyamala (Matangi), the deity of knowledge, music, and speech. It is believed to have been composed by the great poet Kalidasa.
When and how should this Stotram be recited?
It can be recited daily in the morning after bathing, with a pure mind, to seek the Goddess's blessings. It is particularly auspicious to recite before commencing music learning or any artistic endeavor.
What are the benefits of reciting Shyamala Navaratna Malika Stotram?
Reciting this stotram bestows eloquence, proficiency in music and arts, knowledge, improved memory, inner peace, and the fulfillment of all desires.
Who should recite this Stotram?
Musicians, artists, students, public speakers, and anyone wishing to enhance their communication skills, knowledge, and artistic abilities can recite this stotram.
How many times should this Stotram be recited?
It can be recited at least 11, 21, or 108 times daily. Consistent recitation with devotion is considered more effective and beneficial.
What is the origin of this Stotram?
This stotram is traditionally attributed to the revered poet Kalidasa. It is a praise of Goddess Matangi, who is one of the Dasha Mahavidyas and a form of Tripura Sundari.

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